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Showing posts from November, 2025

Why Harbor Island Studios Matters to Seattle Filmmakers

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And why losing it would stall the momentum we have worked so hard to build Harbor Island Studios is not just a building. It is the creative heart of the Seattle filmmaking community. It is the one space in King County where filmmakers at every level can step into a true professional environment and feel like their stories matter. For many of us, Harbor Island is where our ideas finally grew legs and walked. For me and for Ragged Films, Harbor Island Studios was where Beneath the Same Sky became real. A Home for Independent Stories Seattle has always been a city of storytellers, but we do not have many places designed for film production. Harbor Island Studios fills that gap. It has become a rare central hub where filmmakers can: Shoot interior scenes without worrying about noise or weather Rehearse, build sets, and test lighting Hold workshops, youth training programs, and community events Bring in cast and crew from outside Seattle and show them that our region takes f...

Cutting With Purpose: How I Edited Beneath the Same Sky Using Adobe Premiere Pro

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Editing is where the film learns how to breathe. When shooting wraps, most filmmakers hit the wall. The energy shifts. The momentum slows. The story you imagined has now become hours of raw footage, and what happens next determines whether your film lives or falls flat. For Beneath the Same Sky , the edit mattered as much as the performances. The emotional arc is quiet and internal. There are no explosions to hide behind. The story is carried by pauses, glances, and subtle movement. The edit had to protect the intention of the film. I chose to cut entirely in Adobe Premiere Pro , because staying inside one ecosystem kept the emotional rhythm intact. Editorial decisions, sound shaping, and color work all flowed together instead of being pulled apart into separate environments. The goal was simple: Make the film feel honest. Organizing the Edit Before Touching the Timeline Most editing pain comes from disorganization. So before I cut a single frame, I built a system: Folder Stru...

Creative Leadership: Running a Film Set Like a Team, Not a Hierarchy

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Structure does not silence creativity. It builds the trust that lets it thrive. The Problem with Command-Style Filmmaking Most indie productions collapse not because of bad ideas, but because of poor leadership. Traditional film sets often run like small armies. Commands go down, questions go up, and collaboration stops at the department line. That approach might look professional from the outside, but inside it breeds tension, confusion, and burnout. People stop offering ideas because they assume their input does not matter. At Ragged Films , I decided we were going to build something different. When we produced Beneath the Same Sky , I made a choice to share every piece of information that most productions keep behind closed doors. Everyone had access to the same storyboards, production schedules, call sheets, and even group updates. The goal was simple: create a filmmaking environment where information was not power, but fuel. Transparency became our secret weapon. It replaced ...